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#X msg 676 287 \; pd dsp 1;
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#X msg 252 399 start;
#X msg 271 423 stop;
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#X msg 687 445 1;
#X text 343 115 1 press green button;
#X text 343 149 3 press red button;
#X msg 281 445 open ./i_am_sitting_in_a_room.wav;
#X text 33 105 http://soundsorange.net;
#X text 33 88 by Nick Mariette on 17/7/2006;
#X text 344 175 afterwards:;
#X text 32 23 "Automatic Lucier";
#X obj 35 294 delwrite~ delayline 5000;
#X obj 35 375 delread~ delayline 0;
#X text 343 22 requires:;
#X text 343 39 a live microphone signal at the audio input;
#X text 343 56 an amplified speaker connected to the audio output;
#X text 343 73 (preferably some distance from the microphone";
#X text 344 192 collect sound file from the same directory as the patch
;
#X text 343 98 instructions:;
#X text 343 132 2 say "i am sitting in a room" and wait until satisfied
;
#N canvas 0 22 458 308 full_text 0;
#X text 28 45 I am sitting in a room different from the one you are
in now. I am recording the sound of my speaking voice and 1 am going
to play it back into the room again and again until the resonant frequencies
of the room reinforce themselves so that any semblance of my speech
\, with perhaps the exception of rhythm \, is destroyed. What you will
hear \, then \, are the natural resonant frequencies of the room articulated
by speech. I regard this activity not so much as a demonstration of
a physical fact \, but more as a way to smooth out any irregularities
my speech might have.;
#X text 32 238 from: http://www.medienkunstnetz.de/source-text/87/
;
#X restore 345 242 pd full_text;
#X text 32 57 (delay time is only 4 seconds);
#X text 32 40 For short attention spans;
#X text 345 222 full text here:;
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